caku art header



Home Page

*Artist Newsletter

Latest Articles



Share & Submit Content

Artist Stories

Artist Survey



Artist Marketing

Artist Resources

How To Price Your Art

Writing An 
Artist Statement

Art and Craft Shows

Selling Art By Commission

Approaching An Art Gallery

 
Building Your Art Website

Selling Art Online

Photographing Your Art



What Is Abstract Art?

Charcoal Art

How To Paint 
Abstract Art

Painting Ideas

Acrylic Painting Tips 

What Is 
Contemporary
Art
?



Art Collecting Tips

Art By Commission

 Art Framing

Identifying Artist Signatures



About
Carl

*CAKUart TV*

 Contact Me

CAKUart Blog

CAKUart Art Gallery 1

CAKUart Art Gallery 2




The Art Of Haggling 

Should You Negotiate Price When 
Exhibiting Your Art?


© by Carl (CAKUart); all rights reserved

 

Haggling is an activity that has been around since man invented currency. So don't think just because you are an artist that negotiating price is something you won't need to consider… because you should be prepared for the folk who will want to barter on the price of your art.

Once upon a time there wasn't a fixed price on items sold… it was expected that some level of negotiation was going to take place to complete the sale.

 

I personally like the haggling process with my customers… so long as it is within reason. And by that I don't necessarily refer to price…but the buyers actual INTENTION.

I have experienced buyers haggling with me over the price of a painting only to see them walk away because it turned out they were never really serious about buying my painting to begin with. I have learned from these experiences.

As a result, I make a note of quizzing the buyer with some simple questions that will give me some clues about their true intention.

Additionally, by doing this it helps to reduce any fears either party may have, and opens the gates of communication - which is really important when it comes to a healthy friendly negotiation.

It generally goes something like this…

Buyer: "Are you prepared to negotiate on price?"

Me: "Yes I am always prepared to negotiate – what painting has grabbed your interest?"

I do not mention that I have any conditions associated to haggling, even though I do. I am open to negotiation, because quite often the idea of negotiating on a piece of my artwork draws the potential buyers interest further into the painting.  So what I do is simply reply; yes, I am open to negotiation to get a conversation going.

 

Much More Than A Haggling Tactic

When the buyer has informed me of his or her choice… I quickly get in a few questions and also try to add more perceived value to the painting they are interested in BEFORE they have any opportunity of throwing prices at me.

I don't hype, pitch or exaggerate… I simply try to provide as much information about the piece as I can so the buyer will attach more value to it (this helps me when it comes to negotiating).

The types of questions I like to ask help to develop ownership in their mind:

"Are you considering this painting for your home or office?"

I get them to give me a definite answer, rather than asking a question that will result in a yes or no. This helps to bring them closer to the painting. Answering yes of no does not allow them to really contribute anything. I want them to be apart of the conversation.  

Then I'll ask:

"Ah… fantastic… and what room in your home did you have in mind for this painting?" 

Once again, not allowing the yes or no answer… bringing them further in as they begin mentally visualising the painting somewhere in the home, therefore claiming ownership of the piece of art in question.

I have discovered; that a lot of the time, but not all of the time, a buyer has already mapped out in his or her mind where the painting would look good in their home or office before they even approach me.

By asking these types of questions, the pretend buyer will often hesitate or come across as unconvincing in their replies... because they have not really envisioned owning it. As a result, they will quickly start backtracking and start looking to bid you farewell. Good for you; no time wasted, no money lost.

 

There's a Bit More To It Than Just Knowing 
How To Negotiate Price

If you feel the buyer has answered your questions honestly and convincingly, then what I do is ask:

"What is it about this painting that you like? What do you see in this painting that inspires you? "

This is a powerful question because now the buyer has to begin revealing the emotions and thoughts they have attached to your piece of artwork. They have to commit with proper answers and not just "yes or no" replies. 

This brings them even closer to the painting and essentially increases that feeling of ownership.

Is this dishonest haggling? Is this tricky? Is this deceiving the potential buyer?

 No…not at all because all you are doing is getting them to openly assess if this is a piece of art they would truly like to own. 

Additionally, you are adding value to the work by simply getting the potential buyer to get in touch with the feelings and thoughts they have associated to your piece of artwork.

It's not selling… it's letting the buyer sell themselves. All you are doing is asking questions.

Another thing I ask is where they live. 

Knowing where the buyer lives can potentially give me more to work with when it comes to the negotiation process. For example, as part of my haggling agreement I will either throw in free shipping or I'll offer to deliver it personally if they live locally.

The home delivery option is great, because it often leads to the owner showing you another room in the house and asking, "Do you think you could produce something for this room?"

 

Haggling Tips cont...

Haggling does not necessarily mean you have to drop your price. It can mean providing more than they expected for the price of the painting. Adding value…real value will quite often give you and the buyer a feeling that he or she received a great deal.

Additionally, once I have assessed that the potential buyer really does like the painting and wants to negotiate a price, I quickly mention any feedback I may have received from other people regarding the painting.

People love social proof. If a buyer hears legitimate positive feedback expressed from the opinions of others, it adds to the justification of why they want the painting just that little bit more.

Now don't get me wrong… people are not that naïve that they buy my work based on its popularity or the comments made by others. They buy because they genuinely love the painting.

But… by throwing other peoples opinions of the painting onto the negotiation table, it helps you; the seller, just that little bit more in terms of reaching a sale with a win/win scenario.

Another component I will try to throw in before the conversation leads to prices, is how I went about producing the work, what inspired me to paint it and the amount of pleasure I experienced with painting it.

So you can see by now I have essentially added a lot more value to my painting in the eyes of the potential buyer. Previously it was just another painting hanging a wall as far as the buyer was concerned. 

But now he or she knows the painting has a story, it comes with free shipping (and/or delivery), a certificate of authenticity, he or she has a clear cut vision of where they want to hang it…plus they heard all those great things other people have been saying about the painting.

It's looking quite good on my side of the negotiating table. But if you think about it, it’s looking just as good as far as the buyer is concerned too.

Here are some tips to remember so you'll be prepared for haggling when exhibiting your work:

  • Always try to assess the buyer's objectives and motivation for buying outside of the typical, "I like this painting" comments.

  • You need to know where your "Stop" marker will be set with each painting in terms what your lowest price is going to be.

  • Ask questions first (especially ones that will create emotional responses) because then you'll be working from your own agenda when it comes to the whole negotiating process and not working from the buyers intention.

  • Offer those little extras that literally cost you nothing yet seem so valuable to the buyer.

  • Don't begin by talking about yourself or the painting. Talk to and about the buyer.

  • Be prepared for negotiation. If you are prepared then you have done most of the work already in regards to negotiating.

  • Use social proof – if you have legitimate comments made by others about your art then promote it modestly to your potential buyer.

  • If you feel your buyer is being unreasonable about the whole negotiating process, do not negotiate at all.

  • With each question you ask, do not speak a word until you receive an answer. The silence will force them to commit to an answer, therefore leading them to contribute to the conversation and essentially selling themselves on your artwork.

There is no need to fret because not everyone wants to negotiate. But being prepared for it gives you a sense of confidence.

Also, if you are prepared to negotiate on the price of your art, it opens you up to a broader spectrum of buyers. Just know where your breaking point is, try to set the agenda from the get go and focus on creating a win/win result.

 Most of all have fun when it comes to haggling.

 

 

Return To Artist Resources

Subscribe To The CAKUart Free Art Marketing Newsletter

Return from The Art Of Haggling to The CAKUart Home Page

Footer


 

 

 

 

 


What My Visitors Say:

"I have been dragging my feet about getting back into my art for too long. Carl thank you for your No BS answers to my frustrations. I have to admit I didn't really expect to hear anything when I filled out the survey, but when I got a personal letter from you I was blown away. Thanks again"

"Thank you so much for your personal reply. EVERYTHING you said really struck a chord and I guess on some level I already knew all the answers. You have motivated me beyond anything I have ever read, been told or taught before..."

"
Your advice has been very good... especially the part about vision and practice"

"Carl, Thank you for that thoughtful reply. I printed it out and at first look I didn't see that it was a personal response. That was the most direct honest wise interpretation of my dilemma that I have ever had the pleasure of reading..."

"What you said has really got me excited. Thanks so much for the reply (and at 4 in the morning too!) I am really going to work hard at starting where I left off so long ago..." 



Join The CAKUart "Get Your Art Out There" Group On Facebook!

 

XML RSS

What is this?
Add to My Yahoo!
My MSN RSS button
Add to Google